http://squigglemom.net/2018/10/04/thermofax-experiment-with-gestetner-copyprinter-master-cpmt-8/
The Blog of Squigglemom tells you, how Patricia Tsolasue and her friend Caprice Rothe forced the Gestetner Copy-Master-Screen to work as usual Thermofax-Screen, instead of the new and bad working RISO-Thermofax-Screen.
Take a peek, if you are disappointed with the new RISO-Screens!
The World of Rubberstamps + Letterpress:
new Designs, ATC; new, old and unconventional techniques
& Thermofax-Printing.
Monday, 8 October 2018
Saturday, 31 March 2018
Testing the new Mini-Halfwood-Press
For more information about the Mini-Halfwood-Press goto:
www.kughler.com/ep
My page at the Patrons-Site of the Founder, Designer and Intaglio-Artist
of the Halfwood-Presses Bill Ritchie
http://www.printmakingworld.com/emeralda/ps/psserv/patronage/lory.htm
Monday, 19 March 2018
Thermo again, but this time in Intaglio
You know Dry-Point-Intaglio. Often used with plates of artificial-glass.
Now I've found out a technic, I call it "Hot-Point-Intaglio".
First prints (not really art, but try-outs), I've printed with the pasta-press.
I've used PET, available in DoIt-Shops, thickness 0,7 mm, from a roll.
With the first contact with a hotgun, it becomes flat - very nice.
I warmed it up an pressed it at first with a 40er sand-paper (today I think 80er would be better).
The structure of the impressed sand-paper, I could flatten at a small a part (red arrow), to look how I can made an Mezzotinto-Effect with this technic.
I've printed the first color (blue) and sanded the plate with 240er, to see, how much color will be take into the plate now. I've printed the plate in red. ... and also a red print over the blue one.
Later I've had the idea to press the sand-paper a second time on the plate, but when I heated the plate, the surface becomes flat again, no structure anymore ;(
So took a new plate, pressed ist with the sand-paper ad put some hot metal-pices on the plat. It works, but the small items sticked in the surface...
Ok. It was just the 2nd try. I printed it in blue...
Now I've found out a technic, I call it "Hot-Point-Intaglio".
First prints (not really art, but try-outs), I've printed with the pasta-press.
I've used PET, available in DoIt-Shops, thickness 0,7 mm, from a roll.
With the first contact with a hotgun, it becomes flat - very nice.
I warmed it up an pressed it at first with a 40er sand-paper (today I think 80er would be better).
The structure of the impressed sand-paper, I could flatten at a small a part (red arrow), to look how I can made an Mezzotinto-Effect with this technic.
I've printed the first color (blue) and sanded the plate with 240er, to see, how much color will be take into the plate now. I've printed the plate in red. ... and also a red print over the blue one.
![]() |
The PET-Plate with hot impressed sand-paper and some scratches. |
So took a new plate, pressed ist with the sand-paper ad put some hot metal-pices on the plat. It works, but the small items sticked in the surface...
Ok. It was just the 2nd try. I printed it in blue...
![]() |
Left on the Pasta-Press the plate with some pieces from a clock, beside the print in blue. |
I will continue the experiments with heating PET... I hope this was stimulating for you, too.
Have a nice Print-Day.
-ekk-
Wednesday, 21 February 2018
This not a Thermofax-Blog ;-) Latest News about "Klappbügelpresse"
..after so many experiments & experiences with Thermofax-Printing, last night I went back to a traditionell print-technique with 2 Mini Presses:
I've printed copper-etchings with:
a Marcato Pasta-Machine
..and with my DIY "Klappbügelpresse" (see here: Sunday, Mai 18th)
I've printed copper-etchings with:
![]() |
Marcato-Pasta-Machine |
..and with my DIY "Klappbügelpresse" (see here: Sunday, Mai 18th)
![]() |
"Klappbügelpresse"print-area 4 x 4 cm, paper-size 5x5 cm. Build for Letterpress, but works with copper-etching, too. (Here seen with a photo-polymere-clichée.) |
![]() |
"Pasta-Print" / Copper-etching / "Klappbügel-Print" |
![]() |
(see above) |
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